Hips snap and swirl. Hands spread their fingers, Fosse-style. Shoulders roll as twelve bodies slowly swing around in unison, grouped together in a triangle that moves in soft but precisely placed steps. Through the center in her black lingerie snakes a slinking gal singing in a smoky, sensuous voice, “C’mon babe, why don’t we paint the town, and all that jazz?” And onto … [Read more...] about Chicago
Musical
The Fantasticks
In 1960, it was a little musical that broke many molds, especially from the beloved musicals by big Broadway composers/writers like Rogers and Hammerstein, George Abbott, and Lerner and Loewe. It had little plot and became one of several of the earliest so-called ‘concept’ musicals that would later lead to dozens of others such as A Chorus Line, Assassins, and Avenue Q. There … [Read more...] about The Fantasticks
Princess Ida
An operetta from the conservative Victorian Age that satirizes feminism and women’s education and sets up a battle between the sexes that the men are destined to win is not exactly a winning formula for most 2020 audiences. But the operetta is by the perennially loved W.S. Gilbert (libretto) and Albert Sullivan (music); and there are many, modern aficionados of the famed pair … [Read more...] about Princess Ida
She Loves Me
A single violin roams playfully through its scales, soon followed by a twittering trumpet with a speech all its own. Winds trip over each other before more instruments start a game of leapfrog as their well-played notes and phrases seem to jump and skip all around us. One of my favorite overtures has just been played beautifully with spunk and spirit by the fourteen-person … [Read more...] about She Loves Me
Head Over Heels
What happens when a Renaissance tale of royal romance written in iambic pentameter collides head-on with the jukebox music of the 1980s all-female group, the Go-Go’s? And what if twists and turns of the story inspired by Sir Philip Sidney’s The Arcadia (1580s) now include same-sex love, gender-bending left and right, and a “non-binary, plural” Oracle of Delphi? New … [Read more...] about Head Over Heels
Groundhog Day The Musical
Phil is pissed, big time. That Pittsburg’s best-known, TV weatherman has to drag himself on February 2 to the podunk town of Punxsutawney, PA to provide live coverage for the stupid tradition of having someone declare if a so-called groundhog named Punxsutawney Phil sees his shadow or not is totally insulting. To make it worse, on his way to the annual ceremony on Gobbler’s … [Read more...] about Groundhog Day The Musical
Pride and Prejudice
The month of December, Broadway composer Paul Gordon, and Director Robert Kelley have a special, intertwined relationship that time and again has resulted in heartwarming, big-smile-producing gifts for TheatreWorks Silicon Valley audiences. Multiple musicals of the Tony-honored Paul Gordon have appeared and often premiered on that stage, with two of them reprising in Decembers … [Read more...] about Pride and Prejudice
Scrooge in Love
Each year in December, the Bay Area is awash with annual holiday productions that have often been running for decades: The Christmas Carol (American Conservatory Theatre), The Nutcracker (San Francisco Ballet); Home for the Holidays (The San Francisco Gay Men’s Chorus); Kung Pao Kosher Comedy; The Golden Girls Live: The Christmas Episodes, to name a few. After its … [Read more...] about Scrooge in Love
Miss Saigon
The story originating from Puccini’s much-beloved opera Madame Butterfly is well enough known that most audience members arrive – as they might for Shakespeare’s Romeo and Juliet – anticipating the tragic ending to its ill-fated love story. Decade-long runs both in London and New York in the 1990s as well as continual, packed-house tours worldwide these past twenty years also … [Read more...] about Miss Saigon
Gypsy: A Musical Fable
The show that New York Times revered and feared theatre critic Ben Brantley has referred to as “what may be the greatest of all American musicals” and Times essayist/columnist Frank Hart Rich Jr. once called “Broadway’s own brassy, unlikely answer to King Lear, Gypsy: A Musical Fable in the end is nothing without a Rose who can join a long line of divas of a certain age to try … [Read more...] about Gypsy: A Musical Fable
Urinetown the Musical
When Mark Hollmann’s (music and lyrics) and Greg Kotis’ (book and lyrics) Urinetown the Musicalpremiered in 2001, critics and audiences alike immediately could list a plethora of targets for its biting, yet hilarious satire: corporate greed, political bribery, liberal naivite, mismanaged bureaucracies of all types. Experiencing in 2019 the highly entertaining, laugh-out-loud, … [Read more...] about Urinetown the Musical
Monty Python’s Spamalot
One of the joys of any Monty Python’s Spamalot production for all of us musical lovers are the obvious (sometimes painfully so) parodies that Eric Idle and John Du Prez continually insert on other musicals such as Les Miserables, Fiddler on the Roof, A Chorus Line, West Side Story, and anything by Andrew Lloyd Webber. In addition, the show’s over-the-top stunts, eye-popping … [Read more...] about Monty Python’s Spamalot
The Rocky Horror Show
Hot men and women in sensuous, black corsets of torn lace and slicked leather who are raised on high by heeled boots, all singing and dancing in rock numbers that are precursors of later musicals like Grease or Hairspray can mean only one thing: The Rocky Horror Show is yet once again in revival. Generations of costumed, crazed audiences around the world have sustained … [Read more...] about The Rocky Horror Show
Nine the Musical
Guido Contini is turning fifty. His last three films were flops. His producer expects a new film script in four days that he has not started. His leading star and oft-lover is refusing to do another film with him. His wife is telling him she wants a divorce, and his young mistress is threatening to divorce her husband so she and Guido can marry – something he definitely … [Read more...] about Nine the Musical
Bloody Bloody Andrew Jackson
If there is anyone who is curious why President Trump has a picture of Andrew Jackson watching over him in the Oval Office, that person need only sit through a production of Alex Timbers’ (book) and Michael Friedman’s (music and lyrics) Bloody Bloody Andrew Jackson, now playing at Custom Made Theatre Company. Lyrics like the following make that pretty clear, as Jackson at one … [Read more...] about Bloody Bloody Andrew Jackson
